![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
Okay. I'm cross-posting this. Dunno if I'll keep it up, but here's a start.
I won't be uploading my past lj, because I have my own copy, and can't imagine anyone else cares.
The Wasp that Brainwashed the Caterpillar
Matt Simon
(Pop Biology)
Look at this fucking thing. That's a lowland streaked tenrec. It's not the weirdest thing in this book, but you can damn-well thank me for not sticking a picture of a surinam toad in your facebook feed, because it's really hard to get vomit out of your keyboard. Google image search that one at your peril.
Anyway. If you like weird animal shit, move this book to the top of your reading list, because it's great. It's a safari through some of the weirdest stuff around, framed through how evolution solved various survival/breeding problems.
For example, the surinam toad protects its young by planting all its eggs in the female's back, and the skin grows around the eggs, which skip the tadpole stage, and instead mature until wee adorable little toadies wiggle forth whole from the mother's pocked flesh, which later sloughs off.
( More cool animal stuff. )
When Michael Met Mina
Randa Abdel-Fattah
(Youth Fiction)
USA title: The Lines We Cross (available May)
Oh, this was so marvellous! Put it in your local library!
Mina is a refugee from Afghanistan who made a home in Auburn, a melting-pot suburb in western Sydney. She has won a scholarship at a fancy North Shore private school for her last two years of high school, so the family is uprooting and opening a new restaurant in the Whitey McWhite northern suburbs.
Michael is instantly struck by the new girl. He is thoroughly, thoroughly anglo, right down to his earnest parents, who are founding members and spokespeople for the new political action group, Aussie Values. They're not against foreigners, of course; they're just worried that other cultures won't fit with our great Australian culture. They don't like them flaunting their differences. They don't like halal labels on Vegemite. They want to stop the boats.
If for nothing else, I would have loved this book for how it nailed the world as I know it, instead of all the usual fiction tropes. For starters, this is the school experience that I knew, which I never seem to find in American books. None of that weird clique shit: people just befriend people who are in their classes, and friend circles are kind of amorphous, and there might be snobbery but it's occasional off-handed comments, not a caste system. Intelligence is an admirable trait, not an identity. Geekiness is a thing plenty of people have in common, not a specific lunch table. The people who hurt your feelings are your friends, not some mean girls trope.
But what really did it for me, what really carried me back and I've never seen captured in any other book, was Michael coming to realise he didn't share his parents' political views. I was raised by conservative-voting parents, and so that was the political party I understood to be right. I was raised around casual comments about immigrants taking jobs (but also welfare) and refugees being 'queue jumpers' (not that there was any passion for the rights of those who waited their turn) and Aborigines using their race for all the advantages it brings. They weren't *my* opinions, it was just the stuff I'd absorbed from my parents.
But in school, half my social circle were children of immigrants. My friends were people, not stereotypes. And their parents were people, not stereotypes. (Okay, except for Greek mothers being obsessed with stuffing you with food. That's 100% true.) Adolescence is all about getting to know and respect people with different opinions from your parents, and starting to shuffle though it all for yourself. My teen years were a slow shift from accepting my parents' view of the world to finding all the ways it didn't square with my own, until I found myself on the opposite end of the political spectrum.
( This is a bit long, so I'll throw in a cut. )
Seriously, this book is awesome. That's two of Abdel-Fattah's books I've loved. 'Does My Head Look Big in This?' (about a Muslim teenager choosing to wear a hijab at her private Anglo school) was great. I'm going to pick up more of hers.
Talking To My Country
Stan Grant
(Australian non-fiction)
Stan Grant is a television journalist, and I would say the best-known non-sporting Aborigine in Australia. Or at least top three. This book is... a plea for the rest of the country to understand how his identity has been shaped by both his Wiradjuri tribe roots and by the incredible damage wreaked on Aboriginal cultures by white settlement and all the terrible government policies since. It's a little bit of a memoir, as Grant takes us through his poor and itinerant childhood, his unimpressive teenage years, to his experiences as an international reporter. But Grant's life takes a back seat to the things that shaped him: his own grandparents who'd lived through abuses that today are shrugged off as ancient history, family and neighbours' fears of government intervention, schooling that considered his culture irrelevant, and a society that seems to have given up.
He presents statistics that would make Americans blush: indigenous people are less than 3% of the Australian population, but a quarter of the prison population and half of the juvenile detention population. This although indigenous people murder and rape at half the rate of the general population, and commit about an eighth of the drug crimes. Six in ten Australians have never met an Aborigine (as far as they know).
A cornerstone of the Australian mythos is classless equality: convicts were sent here on boats, and Australia offered them the chance to start over. You could land in Australia a penniless murderer, and make it into the land-owning classes. And yet, at the very time new settlers could make their own success, Aboriginal cultures were being wiped out. There was no path for Aborigines to find success, by white capitalist measures or by any other.
Australian conservatives decry the 'black armband' view of Australian history, that dredging up the massacres perpetrated by white settlers and government policies of extermination is bad for the nation and we should just move on, but it seems to me that those are the same conservatives who fetishise Australia's military defeat at Gallipoli in WWI.
Some of the most thought-provoking observations come from Grant's experiences reporting from overseas, where telling people he was Aboriginal didn't come with the baggage that it has in Australia, and he got a close-up look at how other local cultures were shaped by their history.
I think one of the big problems we have dealing with our past is that I don't know what reconciliation looks like. And there isn't an answer to that question, because 1. On some level that question is asking, "So what can we do to make the past go away?" which is an idiotic question, and 2. Aborigines are not a monolithic hive brain who can present a neat answer. Clearly, our current refusal to deal with it at all is a steaming pile of garbage.
The story is moving for how thoroughly Grant lays himself open: his poverty, his insecurities, his guilt in success, his emotional breakdown in remote Mongolia. I don't think it's going to change minds about reconciliation - mostly because people whose minds need changing won't pick up the book, partly because I think this will only provoke empathy in people who are already offering it. It's not like Trevor Noah's 'Born a Crime', which invites you in to enjoy the funny stories, and then sits you down to explain in small simple words how institutionalised racism shapes our internal view of reality.
I won't be uploading my past lj, because I have my own copy, and can't imagine anyone else cares.
The Wasp that Brainwashed the Caterpillar
Matt Simon
(Pop Biology)
Look at this fucking thing. That's a lowland streaked tenrec. It's not the weirdest thing in this book, but you can damn-well thank me for not sticking a picture of a surinam toad in your facebook feed, because it's really hard to get vomit out of your keyboard. Google image search that one at your peril.
Anyway. If you like weird animal shit, move this book to the top of your reading list, because it's great. It's a safari through some of the weirdest stuff around, framed through how evolution solved various survival/breeding problems.
For example, the surinam toad protects its young by planting all its eggs in the female's back, and the skin grows around the eggs, which skip the tadpole stage, and instead mature until wee adorable little toadies wiggle forth whole from the mother's pocked flesh, which later sloughs off.
( More cool animal stuff. )
When Michael Met Mina
Randa Abdel-Fattah
(Youth Fiction)
USA title: The Lines We Cross (available May)
Oh, this was so marvellous! Put it in your local library!
Mina is a refugee from Afghanistan who made a home in Auburn, a melting-pot suburb in western Sydney. She has won a scholarship at a fancy North Shore private school for her last two years of high school, so the family is uprooting and opening a new restaurant in the Whitey McWhite northern suburbs.
Michael is instantly struck by the new girl. He is thoroughly, thoroughly anglo, right down to his earnest parents, who are founding members and spokespeople for the new political action group, Aussie Values. They're not against foreigners, of course; they're just worried that other cultures won't fit with our great Australian culture. They don't like them flaunting their differences. They don't like halal labels on Vegemite. They want to stop the boats.
If for nothing else, I would have loved this book for how it nailed the world as I know it, instead of all the usual fiction tropes. For starters, this is the school experience that I knew, which I never seem to find in American books. None of that weird clique shit: people just befriend people who are in their classes, and friend circles are kind of amorphous, and there might be snobbery but it's occasional off-handed comments, not a caste system. Intelligence is an admirable trait, not an identity. Geekiness is a thing plenty of people have in common, not a specific lunch table. The people who hurt your feelings are your friends, not some mean girls trope.
But what really did it for me, what really carried me back and I've never seen captured in any other book, was Michael coming to realise he didn't share his parents' political views. I was raised by conservative-voting parents, and so that was the political party I understood to be right. I was raised around casual comments about immigrants taking jobs (but also welfare) and refugees being 'queue jumpers' (not that there was any passion for the rights of those who waited their turn) and Aborigines using their race for all the advantages it brings. They weren't *my* opinions, it was just the stuff I'd absorbed from my parents.
But in school, half my social circle were children of immigrants. My friends were people, not stereotypes. And their parents were people, not stereotypes. (Okay, except for Greek mothers being obsessed with stuffing you with food. That's 100% true.) Adolescence is all about getting to know and respect people with different opinions from your parents, and starting to shuffle though it all for yourself. My teen years were a slow shift from accepting my parents' view of the world to finding all the ways it didn't square with my own, until I found myself on the opposite end of the political spectrum.
( This is a bit long, so I'll throw in a cut. )
Seriously, this book is awesome. That's two of Abdel-Fattah's books I've loved. 'Does My Head Look Big in This?' (about a Muslim teenager choosing to wear a hijab at her private Anglo school) was great. I'm going to pick up more of hers.
Talking To My Country
Stan Grant
(Australian non-fiction)
Stan Grant is a television journalist, and I would say the best-known non-sporting Aborigine in Australia. Or at least top three. This book is... a plea for the rest of the country to understand how his identity has been shaped by both his Wiradjuri tribe roots and by the incredible damage wreaked on Aboriginal cultures by white settlement and all the terrible government policies since. It's a little bit of a memoir, as Grant takes us through his poor and itinerant childhood, his unimpressive teenage years, to his experiences as an international reporter. But Grant's life takes a back seat to the things that shaped him: his own grandparents who'd lived through abuses that today are shrugged off as ancient history, family and neighbours' fears of government intervention, schooling that considered his culture irrelevant, and a society that seems to have given up.
He presents statistics that would make Americans blush: indigenous people are less than 3% of the Australian population, but a quarter of the prison population and half of the juvenile detention population. This although indigenous people murder and rape at half the rate of the general population, and commit about an eighth of the drug crimes. Six in ten Australians have never met an Aborigine (as far as they know).
A cornerstone of the Australian mythos is classless equality: convicts were sent here on boats, and Australia offered them the chance to start over. You could land in Australia a penniless murderer, and make it into the land-owning classes. And yet, at the very time new settlers could make their own success, Aboriginal cultures were being wiped out. There was no path for Aborigines to find success, by white capitalist measures or by any other.
Australian conservatives decry the 'black armband' view of Australian history, that dredging up the massacres perpetrated by white settlers and government policies of extermination is bad for the nation and we should just move on, but it seems to me that those are the same conservatives who fetishise Australia's military defeat at Gallipoli in WWI.
Some of the most thought-provoking observations come from Grant's experiences reporting from overseas, where telling people he was Aboriginal didn't come with the baggage that it has in Australia, and he got a close-up look at how other local cultures were shaped by their history.
I think one of the big problems we have dealing with our past is that I don't know what reconciliation looks like. And there isn't an answer to that question, because 1. On some level that question is asking, "So what can we do to make the past go away?" which is an idiotic question, and 2. Aborigines are not a monolithic hive brain who can present a neat answer. Clearly, our current refusal to deal with it at all is a steaming pile of garbage.
The story is moving for how thoroughly Grant lays himself open: his poverty, his insecurities, his guilt in success, his emotional breakdown in remote Mongolia. I don't think it's going to change minds about reconciliation - mostly because people whose minds need changing won't pick up the book, partly because I think this will only provoke empathy in people who are already offering it. It's not like Trevor Noah's 'Born a Crime', which invites you in to enjoy the funny stories, and then sits you down to explain in small simple words how institutionalised racism shapes our internal view of reality.
